Details
| Original language | English |
|---|---|
| Title of host publication | AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022 |
| Publisher | Audio Engineering Society |
| Pages | 11-20 |
| Number of pages | 10 |
| ISBN (electronic) | 9781713855415 |
| Publication status | Published - 2022 |
| Event | AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022 - The Hague, Virtual, Netherlands Duration: 16 May 2022 → 19 May 2022 |
Publication series
| Name | AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022 |
|---|
Abstract
Networked Music Performances (NMPs) are of increasing importance for creative and cultural professionals exploring new solutions and opportunities to perform at geographically distant locations. Although latency is one of the most important parameters for the transmission of audio information, it is rarely possible to obtain insights into the individual components of the transmission latency during NMP. In this publication a detailed evaluation of the latency budget of an ultra-low latency audio transmission in an NMP system for realistic interaction, build up between Hanover and Munich (≈500 km), is presented. To explore the Quality-of-Experience (QoE) of the NMP, objective results of a pop/rock piece played by five professional musicians are compared with their subjective perception. Measures of network performance, as well as the comparison of the objective musical results with the subjective user feedback suggest that the musicians had an experience close to a real performance.
ASJC Scopus subject areas
- Engineering(all)
- Electrical and Electronic Engineering
- Mathematics(all)
- Modelling and Simulation
- Physics and Astronomy(all)
- Acoustics and Ultrasonics
Cite this
- Standard
- Harvard
- Apa
- Vancouver
- BibTeX
- RIS
AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022. Audio Engineering Society, 2022. p. 11-20 (AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022).
Research output: Chapter in book/report/conference proceeding › Conference contribution › Research › peer review
}
TY - GEN
T1 - Latency and Quality-of-Experience Analysis of a Networked Music Performance Framework for Realistic Interaction
AU - Hupke, Robert
AU - Dürre, Jan
AU - Werner, Norbert
AU - Peissig, Jürgen
PY - 2022
Y1 - 2022
N2 - Networked Music Performances (NMPs) are of increasing importance for creative and cultural professionals exploring new solutions and opportunities to perform at geographically distant locations. Although latency is one of the most important parameters for the transmission of audio information, it is rarely possible to obtain insights into the individual components of the transmission latency during NMP. In this publication a detailed evaluation of the latency budget of an ultra-low latency audio transmission in an NMP system for realistic interaction, build up between Hanover and Munich (≈500 km), is presented. To explore the Quality-of-Experience (QoE) of the NMP, objective results of a pop/rock piece played by five professional musicians are compared with their subjective perception. Measures of network performance, as well as the comparison of the objective musical results with the subjective user feedback suggest that the musicians had an experience close to a real performance.
AB - Networked Music Performances (NMPs) are of increasing importance for creative and cultural professionals exploring new solutions and opportunities to perform at geographically distant locations. Although latency is one of the most important parameters for the transmission of audio information, it is rarely possible to obtain insights into the individual components of the transmission latency during NMP. In this publication a detailed evaluation of the latency budget of an ultra-low latency audio transmission in an NMP system for realistic interaction, build up between Hanover and Munich (≈500 km), is presented. To explore the Quality-of-Experience (QoE) of the NMP, objective results of a pop/rock piece played by five professional musicians are compared with their subjective perception. Measures of network performance, as well as the comparison of the objective musical results with the subjective user feedback suggest that the musicians had an experience close to a real performance.
UR - http://www.scopus.com/inward/record.url?scp=85135772650&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:85135772650
T3 - AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022
SP - 11
EP - 20
BT - AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022
PB - Audio Engineering Society
T2 - AES Europe Spring 2022 - 152nd Audio Engineering Society Convention 2022
Y2 - 16 May 2022 through 19 May 2022
ER -