Details
| Original language | English |
|---|---|
| Title of host publication | Orientalism and the Reception of Powerful Women from the Ancient World |
| Editors | Filippo Carlà-Uhink, Anja Wieber |
| Place of Publication | London |
| Pages | 200-209; 267-270 |
| Edition | 1 |
| ISBN (electronic) | 9781350050129, 9781350050112 |
| Publication status | Published - 6 Feb 2020 |
Publication series
| Name | IMAGINES - Classical Receptions in the Visual and Performing Arts |
|---|---|
| Publisher | Bloomsbury Academic |
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Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. / Wagner-Hasel, Beate.
Orientalism and the Reception of Powerful Women from the Ancient World. ed. / Filippo Carlà-Uhink; Anja Wieber. 1. ed. London, 2020. p. 200-209; 267-270 (IMAGINES - Classical Receptions in the Visual and Performing Arts).
Orientalism and the Reception of Powerful Women from the Ancient World. ed. / Filippo Carlà-Uhink; Anja Wieber. 1. ed. London, 2020. p. 200-209; 267-270 (IMAGINES - Classical Receptions in the Visual and Performing Arts).
Research output: Chapter in book/report/conference proceeding › Contribution to book/anthology › Research
Wagner-Hasel, B 2020, Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. in F Carlà-Uhink & A Wieber (eds), Orientalism and the Reception of Powerful Women from the Ancient World. 1 edn, IMAGINES - Classical Receptions in the Visual and Performing Arts, London, pp. 200-209; 267-270.
Wagner-Hasel, B. (2020). Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. In F. Carlà-Uhink, & A. Wieber (Eds.), Orientalism and the Reception of Powerful Women from the Ancient World (1 ed., pp. 200-209; 267-270). (IMAGINES - Classical Receptions in the Visual and Performing Arts)..
Wagner-Hasel B. Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. In Carlà-Uhink F, Wieber A, editors, Orientalism and the Reception of Powerful Women from the Ancient World. 1 ed. London. 2020. p. 200-209; 267-270. (IMAGINES - Classical Receptions in the Visual and Performing Arts).
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