Details
Original language | English |
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Title of host publication | Imperial Middlebrow |
Editors | Christoph Ehland, Jana Gohrisch |
Place of Publication | Leiden |
Publisher | Brill Academic Publishers |
Pages | 103-123 |
Number of pages | 21 |
ISBN (electronic) | 978-90-04-42656-6 |
ISBN (print) | 978-90-04-42655-9 |
Publication status | Published - 28 May 2020 |
Publication series
Name | Literary Modernism |
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Volume | 7 |
ISSN (Print) | 2405-9315 |
Abstract
Combining a gendered postcolonial with a generic approach, this essay demonstrates how the British Empire is being domesticated and normalised in middlebrow fiction about the British West Indies from the end of the nineteenth century until the late 1930s. In their novels, Augusta Zelia Fraser and Margaret Long merge the conventions of domestic realism and the Bildungsroman as well historical romance, Gothic and crime to translate imperial concerns about gender, social class and race into the language of their white and female middle-class readers in the metropolis.
Keywords
- Augusta Zelia Fraser, British West Indies, brown femininities, domestic fiction, historical romance, Margaret Long, white
ASJC Scopus subject areas
- Arts and Humanities(all)
- Arts and Humanities (miscellaneous)
- Arts and Humanities(all)
- Literature and Literary Theory
Sustainable Development Goals
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Imperial Middlebrow. ed. / Christoph Ehland; Jana Gohrisch. Leiden: Brill Academic Publishers, 2020. p. 103-123 (Literary Modernism; Vol. 7).
Research output: Chapter in book/report/conference proceeding › Contribution to book/anthology › Research › peer review
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TY - CHAP
T1 - Imagining the British West Indies in Middlebrow Fiction
AU - Gohrisch, Jana
PY - 2020/5/28
Y1 - 2020/5/28
N2 - Combining a gendered postcolonial with a generic approach, this essay demonstrates how the British Empire is being domesticated and normalised in middlebrow fiction about the British West Indies from the end of the nineteenth century until the late 1930s. In their novels, Augusta Zelia Fraser and Margaret Long merge the conventions of domestic realism and the Bildungsroman as well historical romance, Gothic and crime to translate imperial concerns about gender, social class and race into the language of their white and female middle-class readers in the metropolis.
AB - Combining a gendered postcolonial with a generic approach, this essay demonstrates how the British Empire is being domesticated and normalised in middlebrow fiction about the British West Indies from the end of the nineteenth century until the late 1930s. In their novels, Augusta Zelia Fraser and Margaret Long merge the conventions of domestic realism and the Bildungsroman as well historical romance, Gothic and crime to translate imperial concerns about gender, social class and race into the language of their white and female middle-class readers in the metropolis.
KW - Augusta Zelia Fraser
KW - British West Indies
KW - brown femininities
KW - domestic fiction
KW - historical romance
KW - Margaret Long
KW - white
UR - http://www.scopus.com/inward/record.url?scp=85183014249&partnerID=8YFLogxK
U2 - 10.1163/9789004426566_007
DO - 10.1163/9789004426566_007
M3 - Contribution to book/anthology
SN - 978-90-04-42655-9
T3 - Literary Modernism
SP - 103
EP - 123
BT - Imperial Middlebrow
A2 - Ehland, Christoph
A2 - Gohrisch, Jana
PB - Brill Academic Publishers
CY - Leiden
ER -