Details
Translated title of the contribution | Kulturerbe und Sklaverei: Perspektiven aus Europa |
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Original language | English |
Place of Publication | Berlin, Boston |
Publisher | de Gruyter |
Number of pages | 344 |
Edition | 1 |
ISBN (electronic) | 9783111331492 |
ISBN (print) | 9783111327785 |
Publication status | Published - 2024 |
Publication series
Name | Dependency and Slavery |
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Publisher | De Gruyter |
Volume | 10 |
ISSN (Print) | 2701-1127 |
ISSN (electronic) | 2701-1135 |
Abstract
In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent.
Keywords
- Cultural Heritage, Slavery. Europe, Sites of Memorry
ASJC Scopus subject areas
- Social Sciences(all)
- General Social Sciences
- Arts and Humanities(all)
- General Arts and Humanities
Sustainable Development Goals
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1 ed. Berlin, Boston: de Gruyter, 2024. 344 p. (Dependency and Slavery ; Vol. 10).
Research output: Book/Report › Anthology › Research › peer review
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TY - BOOK
T1 - Cultural Heritage and Slavery
T2 - Perspectives from Europe
A2 - Conermann, Stephan
A2 - Rauhut, Claudia
A2 - Schmieder, Ulrike
A2 - Zeuske, Michael
N1 - Publisher Copyright: © 2023 Stephan Conermann, Claudia Rauhut, Ulrike Schmieder and Michael Zeuske, published by Walter de Gruyter GmbH, Berlin/Boston. All rights reserved.
PY - 2024
Y1 - 2024
N2 - In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent.
AB - In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly in societies under colonial rule, the question of whether and how museums should narrate the hidden past of enslavement and colonialism, including their own colonial origins with respect to narratives about presumed European supremacy, and the need to establish new monuments for the enslaved, their resistance, and abolitionists of African descent.
KW - Kulturerbe, Sklaverei, Europa, Erinnerungsorte
KW - Cultural Heritage, Slavery. Europe, Sites of Memorry
UR - http://www.scopus.com/inward/record.url?scp=85179021610&partnerID=8YFLogxK
U2 - 10.1515/9783111331492
DO - 10.1515/9783111331492
M3 - Anthology
AN - SCOPUS:85179021610
SN - 9783111327785
T3 - Dependency and Slavery
BT - Cultural Heritage and Slavery
PB - de Gruyter
CY - Berlin, Boston
ER -