Details
Original language | English |
---|---|
Number of pages | 13 |
Journal | Humanities |
Volume | 6 |
Issue number | Special Issue: Animal Narratology |
Publication status | Published - 10 Feb 2017 |
Abstract
Keywords
- Uwe Timm, Morenga, African history, colonialism, postcolonial German literature, animal narratology, speaking animals, multi-perspective narration, animal agency, animal studies, afrikanische Geschichte, Kolonialismus, postkoloniale deutschsprachige Literatur, sprechende und erzählende Tiere, multiperspektivisches Erzählen
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In: Humanities, Vol. 6, No. Special Issue: Animal Narratology, 10.02.2017.
Research output: Contribution to journal › Article › Research › peer review
}
TY - JOUR
T1 - An Animal-Centered Perspective on Colonial Oppression: Animal Representations and the Narrating Ox in Uwe Timm’s Morenga (1978)
AU - Röhrs, Steffen
PY - 2017/2/10
Y1 - 2017/2/10
N2 - Because of its topic and its narrative style, Uwe Timm’s novel Morenga (1978) marks an important step in the development of postcolonial German literature. The main theme of the book is the bloody suppression of the Herero and Nama uprisings through the German army in South-West Africa at the beginning of the 20th century. With recourse to historical and fictional documents, and by using different narrative perspectives, the text achieves a plurality of voices to destabilize a one-dimensional view on colonialism. The present article discusses the functions of the nonhuman animals appearing in Morenga. It is assumed that the animal representations are an essential part of the plot and underscore the criticism of the colonial rule in a narrative manner, too. On the one hand, there are several descriptions of suffering animals which are linked to the harm of the Herero and Nama to point out the ruthlessness of the colonists. On the other hand, the book features a story-telling ox which initiates a reflection process about possible ways of narrating colonial history. The ox adds a specific animal-centered perspective on colonial oppression to raise questions about emancipation, self-determination, and agency of the nonhuman ‘other’.
AB - Because of its topic and its narrative style, Uwe Timm’s novel Morenga (1978) marks an important step in the development of postcolonial German literature. The main theme of the book is the bloody suppression of the Herero and Nama uprisings through the German army in South-West Africa at the beginning of the 20th century. With recourse to historical and fictional documents, and by using different narrative perspectives, the text achieves a plurality of voices to destabilize a one-dimensional view on colonialism. The present article discusses the functions of the nonhuman animals appearing in Morenga. It is assumed that the animal representations are an essential part of the plot and underscore the criticism of the colonial rule in a narrative manner, too. On the one hand, there are several descriptions of suffering animals which are linked to the harm of the Herero and Nama to point out the ruthlessness of the colonists. On the other hand, the book features a story-telling ox which initiates a reflection process about possible ways of narrating colonial history. The ox adds a specific animal-centered perspective on colonial oppression to raise questions about emancipation, self-determination, and agency of the nonhuman ‘other’.
KW - Uwe Timm
KW - Morenga
KW - African history
KW - colonialism
KW - postcolonial German literature
KW - animal narratology
KW - speaking animals
KW - multi-perspective narration
KW - animal agency
KW - animal studies
KW - afrikanische Geschichte
KW - Kolonialismus
KW - postkoloniale deutschsprachige Literatur
KW - sprechende und erzählende Tiere
KW - multiperspektivisches Erzählen
U2 - 10.3390/h6010003
DO - 10.3390/h6010003
M3 - Article
VL - 6
JO - Humanities
JF - Humanities
SN - 2076-0787
IS - Special Issue: Animal Narratology
ER -