57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting

Research output: Contribution to journalArticleResearchpeer review

Authors

  • R. Lehmann
  • H. J. Schmidt
  • B. F.O. Costa
  • M. Blumers
  • A. Sansano
  • F. Rull
  • Dagmar Wengerowsky
  • F. Nürnberger
  • H. J. Maier
  • G. Klingelhöfer
  • F. Renz

External Research Organisations

  • University of Coimbra
  • Johannes Gutenberg University Mainz
  • Universidad de Valladolid
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Details

Original languageEnglish
Article number69
Pages (from-to)1-10
Number of pages10
JournalHyperfine Interactions
Volume237
Issue number1
Publication statusPublished - 1 Dec 2016

Abstract

The painting of a rich Jewish merchant “Bildnis eines jüdischen Kaufmanns” from the Netherlands is dated presumably to the 16th century. After a vivid historical background, i.e. robbed by the Nazis by order of Hermann Göring, it was recently discovered on an Austrian flea market. Different analysis methods were combined to identify the time of the production of this historically interesting looted art. Non-destructive MIMOS II Fe-57 Mössbauer spectroscopy was utilised for mesurements in selected spots. This mainly revealed haematite (α-Fe2O3) in the red curtain. In spots of the brown jacket Mössbauer spectra indicated the presence of mainly Iron(III) in super-paramagnetic oxide or oxide-hydroxide. Consecutively SEM measurements revealed a restoration by partly over-painting. The elementary composition of the pigments was examined by a portable-X-ray fluorescence. μ-XRF analysis for element distribution at different areas was performed. The look into a crack showed Zinc-white at the bottom of the crack. Traces of Titanium-white could be found within some locations on the surface of the painting. In terms of provenance of the artwork, the presence of Zink-white suggests that the painting was painted around the 19th century. Titanium-white indicates a reconstruction during the 20th century, approximately between 1917 and 1958.

Keywords

    Mössbauer spectroscopy, p-XRF, Painted artwork, Pigments, SEM/EDX, μ-XRF

ASJC Scopus subject areas

Cite this

57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting. / Lehmann, R.; Schmidt, H. J.; Costa, B. F.O. et al.
In: Hyperfine Interactions, Vol. 237, No. 1, 69, 01.12.2016, p. 1-10.

Research output: Contribution to journalArticleResearchpeer review

Lehmann, R, Schmidt, HJ, Costa, BFO, Blumers, M, Sansano, A, Rull, F, Wengerowsky, D, Nürnberger, F, Maier, HJ, Klingelhöfer, G & Renz, F 2016, '57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting', Hyperfine Interactions, vol. 237, no. 1, 69, pp. 1-10. https://doi.org/10.1007/s10751-016-1296-3
Lehmann, R., Schmidt, H. J., Costa, B. F. O., Blumers, M., Sansano, A., Rull, F., Wengerowsky, D., Nürnberger, F., Maier, H. J., Klingelhöfer, G., & Renz, F. (2016). 57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting. Hyperfine Interactions, 237(1), 1-10. Article 69. https://doi.org/10.1007/s10751-016-1296-3
Lehmann R, Schmidt HJ, Costa BFO, Blumers M, Sansano A, Rull F et al. 57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting. Hyperfine Interactions. 2016 Dec 1;237(1):1-10. 69. doi: 10.1007/s10751-016-1296-3
Lehmann, R. ; Schmidt, H. J. ; Costa, B. F.O. et al. / 57Fe Mössbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting. In: Hyperfine Interactions. 2016 ; Vol. 237, No. 1. pp. 1-10.
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title = "57Fe M{\"o}ssbauer, SEM/EDX, p-XRF and μ-XRF studies on a Dutch painting",
abstract = "The painting of a rich Jewish merchant “Bildnis eines j{\"u}dischen Kaufmanns” from the Netherlands is dated presumably to the 16th century. After a vivid historical background, i.e. robbed by the Nazis by order of Hermann G{\"o}ring, it was recently discovered on an Austrian flea market. Different analysis methods were combined to identify the time of the production of this historically interesting looted art. Non-destructive MIMOS II Fe-57 M{\"o}ssbauer spectroscopy was utilised for mesurements in selected spots. This mainly revealed haematite (α-Fe2O3) in the red curtain. In spots of the brown jacket M{\"o}ssbauer spectra indicated the presence of mainly Iron(III) in super-paramagnetic oxide or oxide-hydroxide. Consecutively SEM measurements revealed a restoration by partly over-painting. The elementary composition of the pigments was examined by a portable-X-ray fluorescence. μ-XRF analysis for element distribution at different areas was performed. The look into a crack showed Zinc-white at the bottom of the crack. Traces of Titanium-white could be found within some locations on the surface of the painting. In terms of provenance of the artwork, the presence of Zink-white suggests that the painting was painted around the 19th century. Titanium-white indicates a reconstruction during the 20th century, approximately between 1917 and 1958.",
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AU - Renz, F.

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