Details
| Originalsprache | Englisch |
|---|---|
| Titel des Sammelwerks | Handbook of British Romanticism |
| Herausgeber/-innen | Rafael Haekel |
| Herausgeber (Verlag) | de Gruyter |
| Seiten | 425-438 |
| Seitenumfang | 14 |
| ISBN (elektronisch) | 9783110376692 |
| ISBN (Print) | 9783110376364 |
| Publikationsstatus | Veröffentlicht - 2017 |
Abstract
The Wild Irish Girl by Sydney Owenson – better known as Lady Morgan, the name she used after her marriage – was first published in 1806, just 6 years after the Union with England, which effectively turned Ireland into a part of the United Kingdom of Great Britain and Ireland. Although the novel is widely acknowledged to be a key and formative text of Anglo-Irish fiction – establishing the genre of the Irish National Tale dubbed after the novel’s subtitle –, it is much less recognized as a key text of British Romanticism. Within a wider understanding of British Romanticism, a conception that includes texts written by female authors from one of the regions traditionally ignored – Ireland –, the novel fully explores its ambiguous potential. On the one hand, it is a work of fiction that has its roots in eighteenth-century aesthetics and history, yet also signifies a new beginning in that it fundamentally inspired later Romantic authors such as Sir Walter Scott and the genre of the historical novel. On the other hand, it showcases how a particularly Irish form of Romanticism paved the way for nineteenth-century modes of fiction based on cultural nationalism and national identity formation.
ASJC Scopus Sachgebiete
- Geisteswissenschaftliche Fächer (insg.)
- Allgemeine Kunst und Geisteswissenschaften
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Handbook of British Romanticism. Hrsg. / Rafael Haekel. de Gruyter, 2017. S. 425-438.
Publikation: Beitrag in Buch/Bericht/Sammelwerk/Konferenzband › Beitrag in Buch/Sammelwerk › Forschung
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TY - CHAP
T1 - Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806)
AU - Haekel, Ralf
PY - 2017
Y1 - 2017
N2 - The Wild Irish Girl by Sydney Owenson – better known as Lady Morgan, the name she used after her marriage – was first published in 1806, just 6 years after the Union with England, which effectively turned Ireland into a part of the United Kingdom of Great Britain and Ireland. Although the novel is widely acknowledged to be a key and formative text of Anglo-Irish fiction – establishing the genre of the Irish National Tale dubbed after the novel’s subtitle –, it is much less recognized as a key text of British Romanticism. Within a wider understanding of British Romanticism, a conception that includes texts written by female authors from one of the regions traditionally ignored – Ireland –, the novel fully explores its ambiguous potential. On the one hand, it is a work of fiction that has its roots in eighteenth-century aesthetics and history, yet also signifies a new beginning in that it fundamentally inspired later Romantic authors such as Sir Walter Scott and the genre of the historical novel. On the other hand, it showcases how a particularly Irish form of Romanticism paved the way for nineteenth-century modes of fiction based on cultural nationalism and national identity formation.
AB - The Wild Irish Girl by Sydney Owenson – better known as Lady Morgan, the name she used after her marriage – was first published in 1806, just 6 years after the Union with England, which effectively turned Ireland into a part of the United Kingdom of Great Britain and Ireland. Although the novel is widely acknowledged to be a key and formative text of Anglo-Irish fiction – establishing the genre of the Irish National Tale dubbed after the novel’s subtitle –, it is much less recognized as a key text of British Romanticism. Within a wider understanding of British Romanticism, a conception that includes texts written by female authors from one of the regions traditionally ignored – Ireland –, the novel fully explores its ambiguous potential. On the one hand, it is a work of fiction that has its roots in eighteenth-century aesthetics and history, yet also signifies a new beginning in that it fundamentally inspired later Romantic authors such as Sir Walter Scott and the genre of the historical novel. On the other hand, it showcases how a particularly Irish form of Romanticism paved the way for nineteenth-century modes of fiction based on cultural nationalism and national identity formation.
KW - Act of Union
KW - Anglo-Irish Fiction
KW - National Tale
UR - http://www.scopus.com/inward/record.url?scp=85142781087&partnerID=8YFLogxK
U2 - 10.1515/9783110376692-024
DO - 10.1515/9783110376692-024
M3 - Contribution to book/anthology
SN - 9783110376364
SP - 425
EP - 438
BT - Handbook of British Romanticism
A2 - Haekel, Rafael
PB - de Gruyter
ER -