Details
| Originalsprache | Englisch |
|---|---|
| Seiten (von - bis) | 205-225 |
| Seitenumfang | 21 |
| Fachzeitschrift | Journal of Modern Periodical Studies |
| Jahrgang | 13 |
| Ausgabenummer | 2 |
| Frühes Online-Datum | 8 Dez. 2022 |
| Publikationsstatus | Veröffentlicht - Dez. 2023 |
Abstract
This article is concerned with the modernist little magazine The Little Review (1914–1929), focusing on the magazine’s run in the 1910s and on the ways in which it mixed up social concerns of the day—particularly sex and gender discourses—with deliberations around art and aesthetics. I argue that The Little Review both mirrors and hyperbolizes the taxonomic fervor of modernist discourses, splicing seemingly disconnected discourses together in turn. The magazine’s highly performative self-fashioning can be traced through metaphors and imageries of form that highlight improvisation and change: the compilation, the pattern, the bundle.
ASJC Scopus Sachgebiete
- Sozialwissenschaften (insg.)
- Kommunikation
- Geisteswissenschaftliche Fächer (insg.)
- Bildende und darstellende Künste
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in: Journal of Modern Periodical Studies, Jahrgang 13, Nr. 2, 12.2023, S. 205-225.
Publikation: Beitrag in Fachzeitschrift › Artikel › Forschung › Peer-Review
}
TY - JOUR
T1 - poetic parties and casual correlations
T2 - The little review and form
AU - Mayer, Ruth
PY - 2023/12
Y1 - 2023/12
N2 - This article is concerned with the modernist little magazine The Little Review (1914–1929), focusing on the magazine’s run in the 1910s and on the ways in which it mixed up social concerns of the day—particularly sex and gender discourses—with deliberations around art and aesthetics. I argue that The Little Review both mirrors and hyperbolizes the taxonomic fervor of modernist discourses, splicing seemingly disconnected discourses together in turn. The magazine’s highly performative self-fashioning can be traced through metaphors and imageries of form that highlight improvisation and change: the compilation, the pattern, the bundle.
AB - This article is concerned with the modernist little magazine The Little Review (1914–1929), focusing on the magazine’s run in the 1910s and on the ways in which it mixed up social concerns of the day—particularly sex and gender discourses—with deliberations around art and aesthetics. I argue that The Little Review both mirrors and hyperbolizes the taxonomic fervor of modernist discourses, splicing seemingly disconnected discourses together in turn. The magazine’s highly performative self-fashioning can be traced through metaphors and imageries of form that highlight improvisation and change: the compilation, the pattern, the bundle.
KW - gender
KW - little magazines
KW - modernity
KW - poetics
KW - sexology
UR - http://www.scopus.com/inward/record.url?scp=85149034992&partnerID=8YFLogxK
U2 - 10.5325/jmodeperistud.13.2.0205
DO - 10.5325/jmodeperistud.13.2.0205
M3 - Article
AN - SCOPUS:85149034992
VL - 13
SP - 205
EP - 225
JO - Journal of Modern Periodical Studies
JF - Journal of Modern Periodical Studies
SN - 1947-6574
IS - 2
ER -