Details
| Originalsprache | Englisch |
|---|---|
| Seitenumfang | 7 |
| Publikationsstatus | Veröffentlicht - 28 Mai 2020 |
| Veranstaltung | 148th Audio Engineering Society International Convention 2020 - Vienna, Virtual, Online, Österreich Dauer: 2 Juni 2020 → 5 Juni 2020 |
Konferenz
| Konferenz | 148th Audio Engineering Society International Convention 2020 |
|---|---|
| Land/Gebiet | Österreich |
| Ort | Vienna, Virtual, Online |
| Zeitraum | 2 Juni 2020 → 5 Juni 2020 |
Abstract
Distributed performances of musicians at distant locations are recently enjoying increasing interest due to the availability of larger bandwidths in network and mobile communication. Modern spatial audio capturing and multichannel reproduction techniques could make these performances an immersive and more realistic experience. But a bidirectional acoustic coupling of rooms introduces disturbing echo loops, which calls for Acoustic Echo Cancellation (AEC) methods. This contribution investigates the Frequency Domain Adaptive Kalman Filter, a state-of-the-art AEC algorithm, in a novel and practical context of a distributed music performance including an Ambisonics audio rendering. In particular, the possibility of using ambisonic channels as reference signals for the echo canceling algorithm is investigated, which allows a significant reduction of the algorithm's computational load.
ASJC Scopus Sachgebiete
- Mathematik (insg.)
- Modellierung und Simulation
- Physik und Astronomie (insg.)
- Akustik und Ultraschall
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2020. Beitrag in 148th Audio Engineering Society International Convention 2020, Vienna, Virtual, Online, Österreich.
Publikation: Konferenzbeitrag › Paper › Forschung › Peer-Review
}
TY - CONF
T1 - Multichannel Acoustic Echo Cancellation for Ambisonics-based Immersive Distributed Performances
AU - Nophut, Marcel
AU - Hupke, Robert
AU - Preihs, Stephan
AU - Peissig, Jürgen
N1 - Funding information: The project LIPS-CISS is co-funded by the Federal Ministry for Economic Affairs and Energy under the reference number 01MD18010G.
PY - 2020/5/28
Y1 - 2020/5/28
N2 - Distributed performances of musicians at distant locations are recently enjoying increasing interest due to the availability of larger bandwidths in network and mobile communication. Modern spatial audio capturing and multichannel reproduction techniques could make these performances an immersive and more realistic experience. But a bidirectional acoustic coupling of rooms introduces disturbing echo loops, which calls for Acoustic Echo Cancellation (AEC) methods. This contribution investigates the Frequency Domain Adaptive Kalman Filter, a state-of-the-art AEC algorithm, in a novel and practical context of a distributed music performance including an Ambisonics audio rendering. In particular, the possibility of using ambisonic channels as reference signals for the echo canceling algorithm is investigated, which allows a significant reduction of the algorithm's computational load.
AB - Distributed performances of musicians at distant locations are recently enjoying increasing interest due to the availability of larger bandwidths in network and mobile communication. Modern spatial audio capturing and multichannel reproduction techniques could make these performances an immersive and more realistic experience. But a bidirectional acoustic coupling of rooms introduces disturbing echo loops, which calls for Acoustic Echo Cancellation (AEC) methods. This contribution investigates the Frequency Domain Adaptive Kalman Filter, a state-of-the-art AEC algorithm, in a novel and practical context of a distributed music performance including an Ambisonics audio rendering. In particular, the possibility of using ambisonic channels as reference signals for the echo canceling algorithm is investigated, which allows a significant reduction of the algorithm's computational load.
UR - http://www.scopus.com/inward/record.url?scp=85091564255&partnerID=8YFLogxK
M3 - Paper
T2 - 148th Audio Engineering Society International Convention 2020
Y2 - 2 June 2020 through 5 June 2020
ER -