Details
Originalsprache | Englisch |
---|---|
Titel des Sammelwerks | Orientalism and the Reception of Powerful Women from the Ancient World |
Herausgeber/-innen | Filippo Carlà-Uhink, Anja Wieber |
Erscheinungsort | London |
Seiten | 200-209; 267-270 |
Auflage | 1 |
ISBN (elektronisch) | 9781350050129, 9781350050112 |
Publikationsstatus | Veröffentlicht - 6 Feb. 2020 |
Publikationsreihe
Name | IMAGINES - Classical Receptions in the Visual and Performing Arts |
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Herausgeber (Verlag) | Bloomsbury Academic |
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Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. / Wagner-Hasel, Beate.
Orientalism and the Reception of Powerful Women from the Ancient World. Hrsg. / Filippo Carlà-Uhink; Anja Wieber. 1. Aufl. London, 2020. S. 200-209; 267-270 (IMAGINES - Classical Receptions in the Visual and Performing Arts).
Orientalism and the Reception of Powerful Women from the Ancient World. Hrsg. / Filippo Carlà-Uhink; Anja Wieber. 1. Aufl. London, 2020. S. 200-209; 267-270 (IMAGINES - Classical Receptions in the Visual and Performing Arts).
Publikation: Beitrag in Buch/Bericht/Sammelwerk/Konferenzband › Beitrag in Buch/Sammelwerk › Forschung
Wagner-Hasel, B 2020, Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. in F Carlà-Uhink & A Wieber (Hrsg.), Orientalism and the Reception of Powerful Women from the Ancient World. 1 Aufl., IMAGINES - Classical Receptions in the Visual and Performing Arts, London, S. 200-209; 267-270.
Wagner-Hasel, B. (2020). Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. In F. Carlà-Uhink, & A. Wieber (Hrsg.), Orientalism and the Reception of Powerful Women from the Ancient World (1 Aufl., S. 200-209; 267-270). (IMAGINES - Classical Receptions in the Visual and Performing Arts)..
Wagner-Hasel B. Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident. in Carlà-Uhink F, Wieber A, Hrsg., Orientalism and the Reception of Powerful Women from the Ancient World. 1 Aufl. London. 2020. S. 200-209; 267-270. (IMAGINES - Classical Receptions in the Visual and Performing Arts).
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