Details
| Titel in Übersetzung | "Because they do not know what they are doing"?: Repression of guilt and consciousness of guilt in Friedrich Dürrenmatt's The Visit |
|---|---|
| Originalsprache | Deutsch |
| Seiten (von - bis) | 91-107 |
| Seitenumfang | 17 |
| Fachzeitschrift | KulturPoetik |
| Jahrgang | 20 |
| Ausgabenummer | 1 |
| Publikationsstatus | Veröffentlicht - 2020 |
| Extern publiziert | Ja |
Abstract
What happens in modern stories of guilt when religion and its ritual practice no longer seem to be an appropriate way of dealing with guilt? Does this lead to an emphasis on the destructive and repressive side of guilt? Or do modern presentations offer a ›constructive‹ way of dealing with wrongdoing, even though atonement and repentance as practices to purify one’s guilt have become obsolete? Friedrich Dürrenmatt’s drama The Visit (1955) focuses on how our culture deals with and instrumentalizes guilt and debt and thereby raises doubts as to whether the irreversible value of the individual, as emphasized by the Judeo-Christian tradition, could be at all valid in today’s complex, bureaucratic and capitalist society.
ASJC Scopus Sachgebiete
- Sozialwissenschaften (insg.)
- Kultur und Raum
- Geisteswissenschaftliche Fächer (insg.)
- Literatur und Literaturtheorie
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in: KulturPoetik, Jahrgang 20, Nr. 1, 2020, S. 91-107.
Publikation: Beitrag in Fachzeitschrift › Artikel › Forschung › Peer-Review
}
TY - JOUR
T1 - »Denn sie wissen nicht, was sie tun«?
T2 - Schuldverdrängung und Schuldbewusstsein in Friedrich Dürrenmatts Der Besuch der alten Dame
AU - Fischer, Saskia
PY - 2020
Y1 - 2020
N2 - What happens in modern stories of guilt when religion and its ritual practice no longer seem to be an appropriate way of dealing with guilt? Does this lead to an emphasis on the destructive and repressive side of guilt? Or do modern presentations offer a ›constructive‹ way of dealing with wrongdoing, even though atonement and repentance as practices to purify one’s guilt have become obsolete? Friedrich Dürrenmatt’s drama The Visit (1955) focuses on how our culture deals with and instrumentalizes guilt and debt and thereby raises doubts as to whether the irreversible value of the individual, as emphasized by the Judeo-Christian tradition, could be at all valid in today’s complex, bureaucratic and capitalist society.
AB - What happens in modern stories of guilt when religion and its ritual practice no longer seem to be an appropriate way of dealing with guilt? Does this lead to an emphasis on the destructive and repressive side of guilt? Or do modern presentations offer a ›constructive‹ way of dealing with wrongdoing, even though atonement and repentance as practices to purify one’s guilt have become obsolete? Friedrich Dürrenmatt’s drama The Visit (1955) focuses on how our culture deals with and instrumentalizes guilt and debt and thereby raises doubts as to whether the irreversible value of the individual, as emphasized by the Judeo-Christian tradition, could be at all valid in today’s complex, bureaucratic and capitalist society.
UR - http://www.scopus.com/inward/record.url?scp=85117075107&partnerID=8YFLogxK
U2 - 10.13109/kult.2020.20.1.91
DO - 10.13109/kult.2020.20.1.91
M3 - Artikel
VL - 20
SP - 91
EP - 107
JO - KulturPoetik
JF - KulturPoetik
SN - 1616-1203
IS - 1
ER -